Tuesday 3 May 2011

Sampé' Teachers in Sarawak

During a three-month fieldwork in Sarawak (from February to May 2011) I came across this amazing Kayan Sampé' musician, Ukong Mering. I met Ukong through a local contact, Pastor Ngau Ajang who is a Missions Pastor from one of the S.I.B. (Sidang Injil Borneo) church in Kuching. (Also better known in English as Borneo Evangelical Churches). If you happen to tune in to the Sarawak-Kayan Radio channel by accident and then wonder who is the person playing those lovely Sampé' tunes, you bet, he is the man!

For me, it is an honor to have met Ukong. On top of that, I had the privilege to visit him and his wife at his daughter's house in Kuching, record his playing, had a few interviews, and some Sampé' lessons (he offered to give me some Sampé' lessons).

His playing is amazing. What I realized was that his style of playing is rather different to the other Kenyah Sampé' musicians like--Matthew Ngau Jau, Asang Lawai, Michael Arang Jalong, or Tengit Usat. However, one needs to bear in mind that each Sampé' musician has their distinct performance style. Because of that, it makes them so unique, so outstanding in their playing! Their distinct individualistic flair makes you want to hunt them down and learn from each of these phenomenal players!

The Sampé' I hold in my hands is made by Ukong Mering himself. It has a very clear sound, even without amplification! The Orang Ulu motifs on the instrument surface is colorful and bright. Yellow, white, and red seems to be the common colors for the Orang Ulu. The Sampé' is available for sale. If you are interested, please contact me via email. I am doing this publicity as a favor to help Ukong Mering. I am a Ph.D. Candidate and a researcher working towards my dissertation and therefore entirely not a businesswoman. And so, there is no middle man charge.

Wednesday 6 April 2011

About Me

The love of my life, a model of Amati violin by Georges Adolphe Chanot, 1899

Selamat Datang! Welcome to my blog and thanks for dropping in. This blog aims to share with music enthusiasts and community about a musical journey, musical discoveries, and life's lessons. As a prelude to my worlds of music, the violin (pictured in the portrait) is one invested by my father for me to pursue my dream of becoming a musician. It is a French violin of Amati model made in 1899 by Georges Adolphe Chanot. This priceless gift was the beginning of my journey into the world of music, orchestras, music camps and festivals, concert halls, practices, performing, music studies, and more studies at graduate schools. Music and currently research, is a never-ending study. I learn all the time, not only from teachers and professors or from books, but often from my music students, my travels and my meeting with people of different cultures and ethnicity backgrounds. From Western art music, I branch out into the field of ethnomusicology because of my love for-- people; culture; the aesthetics of creativity processes and artistry (found in oral tradition, songs, poems, dance, crafts, instrument making); research; and always having an inquisitive mind to study the music of the "others."

Wang Lee Hom's adaptation of Ni Bu Zhi Dao De Shi for Violin


This piece is an adaptation of the main theme from Wang Lee Hom's film "Love In Disguise" (2010). My pianist was none other than my former music student, Marlene Lo. She is an avid fan of Wang and this presentation is dedicated to her.